Orcs often used other creatures as tools, such as employing trolls to lift heavy objects, or wargs and oliphaunts as mounts. The theme for the Shire. Victoria Kelly orchestrated and arranged the end-credit songs. This is a follow up to Youtuber BurtBots’ October 2020 classic ‘Uruk-Hai With Normal Voices – Meat’s Back on the Menu’, this time with ‘Orcs With Normal Voices – The Age Of Men Is Over’.As with the previous video, I can’t help but feel these aren’t normal human voices, but the sort of character you’d expect to see getting a swirly or atomic wedgie in a coming of age film. Trilogy. [102], Shore also created a suite for chamber orchestra and flute created for Sir James Galway. Orc Actors Drank Black Licorice to Get Their Mouths Black. There is a two-beat variation of the Mordor Skip-Beat used in "the most frenetic situations"[38] which can be described as a separate chase motiv. [101] It was re-released on CD/Blu-ray audio and vinyl on 21 September 2018. The One Ring theme: a minor-key string melody plays over the \"Lord of the Rings\" title card for all three films. "Lament for Gandalf", performed by, (feat. The Two Towers also introduces a Dwarvish variant of the Fellowship theme so there is a consistent vein of Dwarvish music throughout the film. In some live performances, it is replaced by Shekere. The music for all of the forces of Evil is linked. The Complete Recordings for The Fellowship of the Ring which unlike the other two albums, was conceived as an isolated film score, span just over three hours of music on three CDs. Shore called for a piano where the sustain pedal is pressed by a sandbag. [105] It also contains snippets of sheet music and illustrations. That’s something … Half Orc Names Inspired By Popular Media. Bowed cymbals are often used to create a sense of unease in the quest's darker passages such as the journey's in the dark, the Dead Marshes and the shadow World. The great majority of the lyrics used in the libretto are in the invented languages of Middle-earth, representing the various cultures and races in Tolkien's writings. In the liner notes, Doug talked about "over 80" and in the published book he identified 93 motifs (although the book at one point was. It was re-released on CD/Blu-ray audio, vinyl, and digital platforms on 27 July 2018. Over 13 hours of the music (including various alternate takes) have been released across various formats. A fiddle with pairs of strings instead of single strings, crafted specifically at the request of violinist Dermot Crehan, and used for one scene with Eowyn. The score became the most successful of Shore's career, earning three Oscars, two Golden Globes, three Grammys, and several other nominations, and some of his themes (like the Shire theme) and songs earning great popularity. Shore called for a unique bowing technique unlike the traditional style of bowing the instrument. Loos They are different names for the same race of creatures. The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore. Shore conceived the score as operatic and antiquated-sounding. The theme itself is little more than a devolved form of the broader "Power of Mordor" theme. The original soundtracks became highly successful, commercially and critically. In fact, the Montreal Symphony Orchestra featured in A Composer's Journey, uses two sets throughout the concert. [72] The vocal music serves primarily to give texture and cultural esthetic to the score; there is never any translation of the lyrics in the on-screen presentation, and in some cases only fragments of the source texts are used for their sound more so than their meaning, although overall the use of the choral text remains mostly coherent. The set was released on 20 November 2007 on CD/DVD-Audio and digital download. He made use of an immense ensemble including a large symphony orchestra (principally, the London Philharmonic Orchestra), multiple instrumental "bands", various choirs and vocal and instrumental soloists, requiring an ensemble ranging from 230 to 400 musicians. The theme is used for the Orc armies and soon thereafter for Sauron himself; but it was also used originally in Amon Hen for Frodo's vision of Barad Dur, and it is used in An Unexpected Journey for Azog, and the harmonies also underpin some of the Warg and Goblin music, as well. On 13 September 2011, Shore released "The Lord of the Rings Symphony" on CD and MP3 format. Tolkien and not on Peter Jackson's Lord of the Rings series of films, though they did take inspiration from the films for some aspects of the module. Melkor was the first to learn of the Awakening of the Elves. Shore's music for The Lord of the Rings has become the most successful composition of his career and one of the most popular motion picture scores in history. The themes are part of the existing thematic families for Dwarves, Hobbits, Elves, Middle Earth, Nature and the Forces of Evil and the World of Men, and are as follows: The themes above have been identified by musicologist Doug Adams, namely in his Liner Notes and The Music of the Lord of the Rings Films book, based on the intentions of Howard Shore as presented in The Complete Recordings. Each album also comes with extensive liner notes by music journalist Doug Adams which reviews all of the tracks and provides information about the process of composing and recording the score, as well as a detailed list of all musical instruments, people and organizations involved. The Live to Projection concerts also feature variations of some of those suites as entr'acte music.[104]. Pine Glades of the Misty Mountains' theme. It is also rumoured that some of the elves were being captured by a \"Rider\" if they strayed too far, and the elves later believed these werebrought to Utumno, where they were cruelly tortured and twisted into Orcs. A similar pattern was followed for The Two Towers (which was scored at a faster pace than the other two) and The Return of the King (with Shore also, unusually, providing an original score with new themes for the trailer, as well) with the final sessions taking place in Watford on 20 March 2004. Whereas the Mordor material contrasts the Shire material, the related Isengard material contrasts the Fellowships' thematic material: The Isengard theme opens with a twisted variation of the "there and back again" shape that opens The Fellowship theme. The Complete Recordings' length is about 90% of the film length (without added credits), and additional music, including (but not limited to) alternate passages, exists as well. While they weren't composed by Howard Shore, they often were accompanied by the score: The second verse of "Edge of Night" was accompanied by the string section and picked up by the clarinet, Gandalf's performance of the Old Walking song was harmonized by the orchestra, the underscore to both of Enya's compositions was orchestrated and conducted by Howard Shore. 14 added Gamelan players (only for Smaug's theme): one on Kendhang, one on Kempli and Gong, five on Saron, three on Slenthem, one on Kenong, Kethuk and Kempyang, two on Bonang, one on Gambang, one on Finger Cymbals. He also takes the Nazgul harmonies and sets them to a choir for the Witch King's battle with Eowyn and while that figure is non-recurring, it is a device that he also used with other themes like Thorin's in An Unexpected Journey. For the three films Shore worked with many vocal and instrumental soloists. The music of the Dwarves is antique and stoic, often orchestrated for brass or low, rough male voices (in times replete with grunting voices). [73] Some of the diegetic songs were not composed by Howard Shore, but he orchestrated and conducted the orchestral accompaniment and even reprised some of them in his symphony.[74]. The scores and soundtrack albums of the film trilogy have won several awards: Following the theatrical release of each of the films, Howard Shore reworked the music from the films and original soundtrack releases into movements for the concert hall, eventually creating the complete The Lord of the Rings Symphony, a more structured six-movement work for orchestra, choir and soloist. "Frodo's Song": A flute rendition of the theme which is played under the "In Discussion" rarities track. The Fellowship of the Ring and The Return of the King's scores won Academy Awards in 2002 and 2004. Composed by the Elvish Impersonators. First, there are multiple gestures that are at the basis of some of themes, like the "there and back again" shape that opens the Fellowship theme and connects it to its subsidiary themes. Tolkien, the writer who created the world of Middle-earth, has published various, contradicting thoughts on their origins. Aug 25, 2019 - Explore Jacob Miller's board "LOTR Orcs, Trolls, & Uruks", followed by 377 people on Pinterest. In fact, the outline figure also has a uniquely "warped" variation used for Smeagol's antics (when he fetches rabbits for Frodo), as well. Feat. From The Hobbit: Bilbo's Birthday, Map of the Lonely Mountain, Smoke Rings, Flaming Red Hair (diegetic), Gandalf's Fireworks, Bree, Elvish Medicine, Mithril Vest, Durin's Folk, Galadriel's Powers. (To access, enter the search parameter "The Lord of the Rings" and select "Search by Title"). Only a few minutes of finalized music were recorded each day to allow for input from director Peter Jackson and revisions to the music and performance[5] Jackson gave Shore direction and had each theme played to him as a mock-up and by the orchestra before approving it. The Complete Recordings for The Two Towers span over three hours of music on three CDs. The most prominent theme for Gandalf the White is the theme for the White Rider. ", large male choir (Fellowship of the Ring). While the cover art for The Fellowship of the Ring uses an original compilation of film characters, the covers for The Two Towers and The Return of the King reflect the respective film posters. Even pieces such as Aniron (which is formally dubbed "theme for Aragorn and Arwen") or the Two Towers trailer music, Requiem for a Tower, could be seen as part of the construction of the music of Middle Earth. Orcs have black blood. Shop our newest and most popular sheet music such as "Concerning Hobbits (from The Lord of the Rings)", "Concerning Hobbits" and "Movies Theme Evolution", or click the button above to browse all sheet music. These can be, to some extent, attributed to the thematic family of The Shire. Colloquially regarded to be the main theme of Lord of The Rings. In The Hobbit, Shore uses the Gondor Reborn theme to score the climax of the first film—the single blatant example of using a theme "romantically" in the entire work. "In Dreams", performed by Edward Ross), (feat. These Annotated Scores have been made freely available by New Line on the promotional website for the soundtracks (see below). The Lord of the Rings Sympony was performed (on album) by the 21st Century Orchestra and the Montreal Symphony Orchestra. The Lord of the Rings. The scores were written in a 19-century operatic idiom, making full use of a large symphony orchestra, world-music instruments, full choir and vocal soloists. All of these themes were compiled into a menu by musicologist Doug Adams, who worked with Shore on the documentation of the score. Furthermore, in creating The Hobbit scores Shore would not only add another 62 themes or more, but actually went on to reuse some isolated musical gestures from the Lord of the Rings scores, turning them into leitmotifs after-the-fact, adding up to over 100 leitmotifs used in the Lord of the Rings trilogy alone, and 160 when combined with motifs of The Hobbit. The rest of the score was recorded in London during the editing of the film in post production, and took over 180 hours to record. In release and publication, the musical scores of the series were manifested in the Original Motion Picture Soundtrack and the longer Complete Recordings. The scored section also included a version of the Breaking of the Fellowship sequence, with an extended tin whistle solo, and a montage of footage from the following two films. These remote outposts are maintained by a variety of factions, but all of them have the same generate structure. an added horn for the Sammath Naur sequence (Return of the King, Annotated Score, p. 27), and a fourth trombone and second tuba for the Moria sequence and possibly for some of the Isengard material, as well. The limited-edition of the original Soundtrack of Return of the King featured a 30-minute documentary made by Shore's wife, Elizabeth Cotnoir, which followed him in the making of the score. In it's most antique forms, it can be very "ethnic" in intervals or instrumentation or very sacrilegious. He subsequently released expansive liner notes, culminating in the release of a book, The Music of the Lord of the Rings films. The 50-minute-long DVD features extensive excerpts of the concert given by Shore and the Montreal Orchestra, Grand Choir and Children choir at the "Montreal en Lumiere" Festival, interspersed with spoken commentary by Shore, who recounts his approach in composing the music for the three films and then reworking it into the LOTR symphony. Other notable variations include Shore changing melodies from descending to rising, a device applied to all the Mordor motivs in Return of the King, but not one of those is labelled a separate theme in the book. This orc name generator will give you 10 random names fit for the Lord of the Rings universe. Ultimately, Shore's score was deemed eligible, but the ruling nullified its chances to earn a nomination. Shore began his work on the music early during the production of The Fellowship of the Ring in late 2000 and recorded the first pieces of music (the Moria sequence[6]) in spring of 2001 to a 40-minute teaser of the film, as the film was still being shot. They acted as his basic grunts and did his bidding: patrolling borders, carrying out raids and attacking the innocent. The themes below are as they appear across the three films, sorted out into their thematic families. The New Zealand Symphony Orchestra contributed some of the early Moria music, written for an early edit of the film. There are several alternate forms of existing themes that never got past the mock-up stage, like an alternate Moria theme, an alternate, major-key version for the Ascension of Gondor, an alternate Frodo's Song and Arwen's Song. Shore utilizes a number of his stylistic devices through the scores for a dramatic effect, such as D-minor pentachords,[42] minor triads,[43] rising notes up the minor scale,[44] aleatoric writing, etcetra...[45]. "The Prophecy": The Lord of the Rings symphony starts with "The Prophecy", originally an edit of an early composition for the prologue of the film (which at the time was significantly different), which prominently features the Power of Mordor theme, and a brief insert of the History of the Ring theme. Even without a working knowledge of Kh'omchr'om, the sight and sound of several hundred bloodthirsty orcs enthusiastically roaring this out whilst marching towards the … Their maturation through the story has them not only transform melodically and harmonically, but also make use of the orchestral relatives of the folk instruments with which they are originally played. Sometimes they are performed as a cycle featuring the Lord of the Rings Symphony followed by each theatrical film on four consecutive nights. The track then quiets down and the s… Also across the three scores, Shore changed the soundscape: incorporating more aleatoric devices and contrapuntal writing in The Two Towers, compared to The Fellowship of the Ring, and more extrovert writing for Return of the King. The Fellowship theme (The Ring Goes South), Music of The Hobbit film series § Principal leitmotiv, Grammy Award for Best Score Soundtrack Album, World Soundtrack Award for Best Original Soundtrack, Golden Globe Award for Best Original Score, http://www.filmscoremonthly.com/articles/2004/14, Leitmotif: Critique of the leitmotif concept, Destruction of the Ring/Destruction of Mordor theme, http://www.woodzie.org/lotr/themes/pippin.mp3, http://www.amagpiesnest.com/instruments/instruments_orcs.htm#chains, https://www.lpo.org.uk/recordings/the-fellowship-of-the-ring.html, http://www.gardinerhoulgate.co.uk/lord-of-the-strings/, http://www.musicoflotr.com/2009/11/orensanz-transcript.html, http://www.classicfm.com/composers/horner/news/lord-of-the-rings/, http://www.filmscoremonthly.com/articles/2001/14_Nov---Lord_of_the_Rings_Howard_Shore_Interview_Excerpt.asp, http://www.moviemusic.com/mb/Forum1/HTML/013609-22.html, http://www.spiritsspace.org/lotr/oscars.htm, http://www.amagpiesnest.com/themes/index_Themes.htm, http://www.moviemusic.com/mb/Forum1/HTML/015135-3.html, http://www.amagpiesnest.com/themes/THmordor_acc_skipbeat.htm, http://www.amagpiesnest.com/themes/ThShireConcHob.htm, http://www.filmscoremonthly.com/backissues/viewissue.cfm?issueID=68, http://www.moviemusic.com/mb/Forum1/HTML/015135-31.html, http://www.jwfan.com/forums/index.php?/topic/23907-the-themes-of-howard-shores-the-hobbit/, http://www.jwfan.com/forums/index.php?/topic/26592-the-prophecy/&do=findComment&comment=1029043, http://www.moviemusic.com/mb/Forum1/HTML/015135-14.html, http://www.amagpiesnest.com/odds_ends/OEheartbeatshire.htm, http://www.moviemusic.com/mb/Forum1/HTML/015135-11.html, http://www.moviemusic.com/mb/Forum1/HTML/013609-20.html, http://www.jwfan.com/forums/index.php?/topic/26524-lord-of-the-rings-musical-themes-discussion/, http://www.moviemusic.com/mb/Forum1/HTML/015135-27.html, http://www.moviemusic.com/mb/Forum1/HTML/015135-8.html, http://www.amagpiesnest.com/official_info/dvd_transcripts/rotk_commentary.htm#ChargeofRohirrim, http://kmuw.org/post/musical-space-unique-instruments-remarkable-films, http://www.moviemusic.com/mb/Forum1/HTML/015404-14.html, https://www.flickr.com/photos/jimjware/3368139663/in/album-72157615642861094/lightbox/, https://www.billboard.com/articles/6304248/the-hobbit-howard-shore-the-battle-of-five-armies-score-lord-of-the-rings-music, http://www.filmscoremonthly.com/articles/2001/15, https://www.eamdc.com/news/emthe-fellowship-of-the-ring-live-to-projectionem-comes-to-radio-city-music-hall/, http://www.powerflute.ch/PDF/interview_cinema_musica_EN.pdf, http://musicbehindthescreen.blogspot.co.il/2016/03/scoring-series-lord-of-rings.html, http://www.amagpiesnest.com/cd_editions/index_cd_editions.htm, http://www.amagpiesnest.com/diegetic/TH_diegetic_music.htm, http://www.musicoflotr.com/2011/12/plan-9-interview.html, "The Lord of the Rings - The Return of the King", http://www.amagpiesnest.com/reconstructing/index_reconstructing.htm, "American certifications – Lord of the Rings", Recording Industry Association of America, "The Official Swiss Charts and Music Community: Awards (Soundtrack; 'The Lord of the Rings')", "Canadian certifications – Lord of the Rings", "Howard Shore's FOTR Complete Recordings gets new release on Vinyl, re-release on CD & BluRay", "The Lord of the Rings: The Two Towers – The Complete Recordings - Howard Shore", "The Lord of the Rings - The Return of the King - The Complete Recordings", http://www.amagpiesnest.com/cbc_analysis/cbc_analysis.htm, http://www.jwfan.com/forums/index.php?/topic/20819-the-complete-cue-lists-thread/&page=9, "New book explores 'Lord of the Rings' music", "Erik Eino Ochsner to Conduct Lord of the Rings Performance", https://www.tso.ca/sites/default/files/dec-123.pdf, New Line's promotional website for the soundtracks. However, the theme can easily be said to be used in opposition to its regular association, here implying meeting again with the Wizard. For another long-running, thematic composition for a film franchise, see, This page was last edited on 11 January 2021, at 21:53. These annually published collections, titled The Complete Recordings, contain the entire score for the extended versions of the films on CD, along with an additional DVD-Audio disc that offers 2.0 stereo and 5.1 surround mixes of the soundtrack. The score requires two sets of taiko drums (which are, in one instance, played simultaneously), and includes various types of drums: small. "The Song of Beren and Lúthien", performed by, (feat. "Rohan": The original soundtrack presents a version of Eowyn and Theoden's theme played on violas before transitioning into an alternate of the final statement of the Rohan theme that closes the theatrical credits. [11.1S, 106.7W] Click here for step by step directions for traveling to and from the Orc Watch. 2790 by killing King Thrór, who came to revisit the ruins of Khazad-dûm. The cover artwork uses common elements for the three albums like the film series' logo and an inscription in Tolkien's tengwar letters. "Lament for Gandalf": sung in Lothlorien by Elizabeth Fraser and a women's choir. The films were also temp-tracked sparsely with pieces from the scores to Braveheart[4] and Last of the Mohicans. Orcs, also called Goblins by Bilbo, Gandalf, and the dwarves, were the minions of Sauron. 1 drone (doubling one Uilleann Pipes and Highland bagpipes), 1 highland bagpipe, 2 nay flute (one doubling on rhaita), 1 dizi (doubling on suling), 1 shakuhachi, 1 pan flute. It does however, have over ninty appearances in various guises. Shore visited the set and met with the filmmakers and various people involved in the production including conceptual designers Alan Lee and John Howe (who would contribute to his Symphony and Doug Adams' book on the score), actors Elijah Wood, Sean Astin and Andy Serkis, screenwriter Philippa Boyens (who became Shore's principal librettist for the score) and others, and saw assembled footage of all three films. [8] The latter film also won an Oscar statuette for Best Original Song, as well as the Golden Globe for Best Original Score and Best Original Song. It is gradually remade during the next two films, leading up to a grand choral statement during the assault on the Black Gate. There aren't that many orc names though, so I … "Seduction of the Ring": The Symphony features a concert presentation of the Seduction theme with the associated lyrics and a monochord accompaniment. "Gandalf the White": featured only in the credits. Other themes also have such variations: The melody and accompaniments of the Rivendell theme often appear separately, as well. All of those pieces (excluding "rock and pool" as well as what are outright effects like horn calls) are even featured on the album. Shore requires a large assortment (as many at eight) snare drums of various sorts, including deep field or marching snares, a military drum with rope snares, and shallow "guillotine" snares. There are also recurring timbral choices in the scores: In "Rock and Pool", Shore uses the sound of the Cimbalom, on its own, to evoke Gollum's thematic material without quoting it. The symphony version was recorded in KKL Lucerne, and "A Composer's Journey" was recorded in the Montreal Symphony House. Doubling on Angklung, Gangsa, Ceng-Ceng cymbals, Genders, bowed saw, thai gong circle, Tibetan Bells. Other actors like John Rhys Davies (as Treebeard), Alan Howard (voice of the ring), Bernard Hill (Theoden) and Orlando Bloom (Legolas) recited verses or provided narration, without a melody, The "Elvish Impersonators": Jannet Roddick, David Donaldson, Stephen Roche ("Plan 9") and David Long: Fiddlek, Hurdy-Gurdy, Rommelpot, Jaw Harp, Harmonium, Whistle, Bodhran, Goblet Drum, Castanets, Tambourines, drones, Zither; possibly Dan Bau, Hasapi, Conga and Bongos, Mike Taylor: Tin Whistle, Low Whistle, Fiddle, John Parricelli: Six-String Guitar, Twelve-String Guitar. The scores are often considered to represent one of the greatest achievements in the history of film music in terms of length of the score, the size of the staged forces, the unusual instrumentation, the featured soloists, the multitude of musical styles and the number of recurring … Check out our orc lotr selection for the very best in unique or custom, handmade pieces from our role playing miniatures shops. The book was released with a companion CD, The Rarities Archives. The choir, soloists and specialist instruments were often (but not always) recorded apart from the orchestra, with many of the choral sessions being conducted by their respective choirmaster, under Shore's supervision. The double-album was recorded in Lucerne, Switzerland and performed by the 21st Century Symphony Orchestra & Chorus (including treble Loris Sikora, Boy Soprano Manuelle Polli, Mezzo-Soprano Kaitlyn Lusk and Bass-Baritone Marc-Olivier Oetterli) under the direction of Ludwig Wicki. : The Fellowship also has a little action ostinato used twice in the Moria action scenes. The History of the One Ring, Seduction of the Ring, Sauron, The Shire, Frodo/Hymn variant, Hobbit Outline, Hobbit End-Cap, A Hobbit's Understanding, Pity of Smeagol, The Servants of Sauron, Threat of Mordor, Descending Thirds, Mordor Skip-Beat, Footsteps of Doom, Servants of Sauron, Isengard, Uruk Hai, Orc Crawl, the Realm of Gondor, Fellowship, Strider, Heroics of Aragorn, Rivendell, Lothlorien, Elvish Pledge, Diminishment of the Elves, Evil Times, Weakness Motiv, Nameless Fear, The Balrog, Moria, The Dark Places of the World, Nature's Reclamation. See more ideas about Lotr orcs, Lotr, The hobbit. Concerning Hobbits. Again, the Fellowship theme gradually comes together before appearing in a string of full heroic statements as the whole company travels and struggles. It is the only vocal duet in the score. Nevertheless, both instances are not entirely beyond reason. Shore wrote many hours of music for The Lord of the Rings, effectively scoring the entire film length. However, the difference arises mostly from short stops of music during scene transitions (of which there are many given the film's length) rather than drawn-out passages that go unscored. Shore wrote a long series of interrelated leitmotifs that were used, developed, combined or fragmented throughout the three scores. Shop with confidence. The Rhaita is too loud to record or perform with the orchestra and was recorded separately and, in a live performance, may be muted or played offstage. Tasks Bulletin Board [11.1S, 106.9W] Tasks Collection Box; Travelling. doubling on tubular bells, wind chimes (or mark tree), suspended cymbals (large and antique), piatti, clash cymbals, crash/ride cymbals, hi-hat cymbals, sizzle cymbals, china cymbals, spiral trash cymbals, dunun drums, anvil (or tuned brake drum), two log drums, bass marimba, xylophone, Transceleste, glockenspiel, tabla, 2 bodhrans, framedrum, tambourines, sistrums, eggshaker, gourds, caxixi, shaker (or shekere), cabassa, claves, clappers, clapsticks, tomtoms, 5 tibetan hanging drums, thai gongs, thunder sheet, tuned artillery shells, five Tibetan singing bowls, two waterphones, body percussion. Trailers for further films were slated after the credits of the theatrical release, and featured music from Shore, music in the vein of Shore or existing music from Shore's score. "Fishing Song": Sung by Gollum in several spots (as well as in An Unexpected Journey). 1. They cast the same amount of light as normal torches, but cannot be placed on walls. The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore. 18. While there are recited and narrated sections in the film, they are performed in spoken language rather than as an operatic. Find great deals on eBay for lego lotr orc. The Moria material opens The Two Towers, and a vein of Dwarvish music continues to follow Gimli throughout; similarly, The Gondor Reborn music has a strong affinity to the triumph of good (Gondor in this instance) and is in this scene extrapolated from its Gondor association and used more broadly. The Fellowship of the Ring has its own distinct pool of themes. The Mordor themes are often underlined by one of these three motivs, which serve as accompaniment figures, although they also appear independently, as well: The Hobbit themes are very Celtic-sounding, scored for Celtic instruments namely fiddle and tin whistle. 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