• Taxpayers Fund $200 Million Exhibit of Hardcore Homosexual Porn in Urban Neighborhood

    November 20, 2011 6:11 pm 25 comments

    Despite widespread condemnation and political outcry, a disturbing exhibit of perverse homo-erotic “art” is opening for public viewing in New York City and American taxpayers are footing the bill. The show, entitled “Hide/Seek,” had an abbreviated run at the National Portrait Gallery in Washington, D.C. in 2010. Christian groups raised alarm bells when it was revealed that the paintings unabashedly promoted a radical lifestyle choice. The exposition was quickly censored for the public good and the president of the Smithsonian was forced to issue an apology.

    hide seek brooklyn museum of artNow this abhorrent peepshow has been resuscitated in the historically downtrodden and black neighborhood of Brooklyn, New York City. Instead of using the funds to fight ghetto blight, crack cocaine crime and other ethnic issues that plague the area, federal officials have seen fit to spend lavishly on a flamboyant art display. Hanging at the Brooklyn Museum’s extravaganza is a veritable who’s who of communist agitators, sexual predators, nudists and atheist activists. The Catholic Diocese of Brooklyn, the Catholic League and numerous public officials have already lodged protests.

    What happened to art forms that embrace and celebrate life? What happened to beautiful and realistic portraits of joy and patriotism? Instead we see enormous phalluses and ethnic couples, excrement flinging harlots and anti-Christian propaganda. Such indulgences have lead many to ask why corrupt insider bureaucrats keep rubber-stamping checks for filth meant to undermine our most cherished values. Just imagine, as a public museum institution, the many field trips of school children who will pass by these walls to witness the most graphic examinations of hardcore homosexual penetration, painted in fluorescent colors on oversized canvases for young boys and girls to ponder. In their confusion, who is there to guide these children from the immoral morass? No one, since the Bible is banned from our school systems. No one, and they are left there alone with the leering fantasies of the liberal fringe.

    stephenson billings on art

    One of the foulest pieces of Hide/Seek (and the main attraction for homosexual activists) is a video by former male prostitute David Wojciehowciz. It denigrates the faith of millions of Christians by showing a crucifix on a dirty floor, covered by voracious ants. The work is clearly meant to insult the sacred backbone of America. As a piece of film, it is poorly shot and its plotline is indecipherable. It shall come as no surprise, then, that an elite museum with liberal funding is the only place willing to show such bigotry, as no broadcast television station would invest in such a guaranteed money-losing proposition. This is nothing new for the Brooklyn Museum of Art, which last made headlines for displaying an image of the Madonna crafted from canine defecation.

    hide seek brooklyn museum of artOther so-called artists on display here include Allen Ginsberg, the founder of the National Man-Boy Love Association (NAMBLA); Thomas Eakins, a man who, much like Jeffrey Dahmer, was obsessed with naked young men and medical experiments; Keith Haring, a designer of gaudy greeting cards who inexplicably became rich off his efforts; Cass Birds, the notorious suburban predator with a camera lens; Robert Mapplethorpe, who famously and racistly shot African-American genitalia as if he were hunting butterflies; Andy Warhol, the cross-dressing poster boy of poster art; Lyle Ashton Harris, a pioneer of urban homosexual incest; and the list goes on and on.

    When one considers that a recent Andy Warhol painting sold for over $71 million, it’s not hard to see that the total value of the Hide/Seek exhibit, which includes over 150 works, can be conservatively estimated at more than $200 million. We have a tragically floundering economy that has left tens of millions jobless. We have a president who would rather play golf on Martha’s Vineyard than listen to the heartfelt cries of red-blooded, hardworking Americans. When one adds a quarter-of-a-billion dollar taxpayer-funded art show into this mix, is it any wonder patriotic citizens are outraged? The fact that this exposition is being used to dangerously legitimize a form of erotic deviancy so shocking and profane is even more unsettling. Nearly a quarter of a billion dollars from your pockets and mine to fund a peep show of sweaty, illicit, painful same-sex sodomy and ejaculation aimed at young children, could there be anything more wrong with this picture?

    hide seek brooklyn museum of artWho could possibly have the intense psychological instabilities required to devise such an outrageous and expensive assault on American decency? The curators in question are David Ward, a flâneur at the National Portrait Gallery. Mr. Ward is infamous in D.C. circles for comporting himself with a Truman Capote-esque pomposity, cavorting around the effete elite confines of Capitol Hill, from Congressional congresses of corporeal corruption to the sleazy sanctums of Sodom’s most slumming Senators. His partner is a professor named Jonathan Katz, who has spent his life scandalously profiting from aberrant sexual behavior, like some cretinous inner city pimp. The capricious Katz, who bears more than a slight resemble to Val Kilmer, is known to be impulsive and erratic, cornering young students with hours-long lectures on the most banal vagaries of the art of intercourse. Would it come as any surprise to learn that such a duo is most likely using our taxpayer millions to land a spot on the “Hot Homosexual Power Couples” lists that gay-erotic publications run around this time of year?

    hide seek brooklyn museum of artIn truth, any serious art critic will tell you that these works do not qualify as art. The homosexual suffers from such an intense neurological dysfunction that he must use any means necessary to justify his salacious illegitimacy. When one considers the fact that few gay men are capable of masculine and worthwhile work in industry, the secretive enclave of “the arts” seems like a predictable place for them to congregate.

    The homosexual “artiste” uses art as a means to profit as well as a way to promote his misguided lifestyle choice. It is no wonder, then, that their canvases (characterized by a complete lack of technical expertise) employ any opportunity to stuff our face deep into their musky wares. The homosexual grabs you close and forces you to inhale that noxious and intoxicating miasma of human desperation that ripples off every chest hair. They will follow you down alleyways to crush you against walls of eerie violation, where the rapid beating of their hearts matches the drumbeat of carnage, our consciences exploding wet and tacky against some filthy brick wall, as rats scurry away from pregnant garbage bags and the local hookers weep. Yes, we have come face to face with the utter annihilation of everything we hold sacred. Thank you, sanctimonious artists of the unrepentant underworld, for reminding us why the United States is in such dire peril today.

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    About The Author
    Stephenson Billings Stephenson Billings is an Investigative Journalist, Motivational Children's Party Entertainer and Antique Soda Bottle Collector all in one special, blessed package! Facebook me here or Fanmail me: StephensonBillings@yahoo.com !

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