influence of Italian music and the first Bach, The second period and the fusion of Italian and German style, The third period and the integration between French and German music, Antonio Vivaldi “The red priest”, Biography, Style and Works, Baroque music era: style and characteristics. And, of course, the set is a bargain. Fully aware of the centuries-old roots of the cantata, he did not hesitate to expand the traditional forms of “Concertato da Chiesa” with the formal innovations of the Cantata and the Opera. Unlike his contemporaries, he prefers not to abandon the Counterpoint. This is partly due to the development of … What was chosen to represent the entirety of earth to an alien peoples we wanted to love and be loved by? He found his identity by transcribing Vivaldi‘s concerts for violin and orchestra, adapting them to the organ or harpsichord, following in that way his inclination for keyboards. More than 1,000 of his compositions survive. Andrew Marr Broadcaster. The records also had the inscription hand-etched on its surface: “To the makers of music – all worlds, all times.”. Bach’s compositions include hundreds of Cantatas, both sacred and secular. To better understand the evolution from the first Bach to his maturity, just examine the “Prelude and Fugue in C major” BWV 846  and the “Fantasy and Fugue in C minor” BWV 537. Voyager may, in the long run, be the only evidence that all human beings, animals, plants, trees, oceans, mountains, love – and earth itself – ever existed. Two of their works, Brandenburg Concerto No. An early version of the concerto, BWV 1050.1, originated in the late 1710s. The cycle of preludes and fugues for harpsichord, collected for educational purposes, is a journey through all the tonalities made possible by the advent of “Temperament” (an equalized tuning system of instruments). These works were a gift from … An example for all is the cantata “Ich will den kreuzstab gerne tragen” written for bass and a small instrumental group. The engineers and scientists at Jet Propulsion Lab tried, and apparently have succeeded in building a spacecraft that will carry a message from earth, for billions of years, outlasting our sun and earth itself. Bob Danziger Interview for Jazz and the Brandenburg Concertos, Christian McBride Interview for Jazz and the Brandenburg Concertos, Regina Carter Interview for Jazz and the Brandenburg Concertos, Chick Corea Interview for Jazz and the Brandenburg Concertos, Uri Caine and Mark Helias Interview for Jazz and the Brandenburg Concertos, Fred Hersch Interview for Jazz and the Brandenburg Concertos, Victor Pichardo of Sones de Mexico Ensemble Chicago Interview for Jazz and the Brandenburg Concertos, Abdullah Ibrahim Interview for Jazz and the Brandenburg Concertos, Jonathan Scales Interview for Jazz and the Brandenburg Concertos, Stephen Prutsman Interview for Jazz and the Brandenburg Concertos, Jazz Interviews – including the original tapes, Monterey Jazz Festival Artists-in-Residence Past and Present, Christian Sands – 2020 Monterey Jazz Festival Artist-in-Residence, Allison Miller – 2019 Monterey Jazz Festival Artist-in-Residence, Allison Miller Interview for Jazz and Jazz Stories, Derrick Hodge Interview for Jazz and Jazz Stories, Derrick Hodge – 2019 Monterey Jazz Festival Artist-in-Residence, 2019 Artists-in-Residence Allison Miller and Derrick Hodge, Clayton-Hamilton-Clayton – 2003 and 2017 Monterey Jazz Festival Artists-in-Residence, Angelique Kidjo Narration, Copy, and Music, Gerald Wilson – 1997 Monterey Jazz Festival Artist-in-Residence, Bob Danziger C.V. . In the “Fantasy and Fugue in G minor” BWV 542 Bach brings to perfection the alternation of the “solo” with the mighty chords of the “tutti” typical of the Concerto Italiano. Supplement – Quotes and Compliments by Subject, https://jazzandjazzstories.com/jazz-and-the-brandenburg-concertos/, https://jazzandjazzstories.com/jazz-and-the-brandenburg-links-2/. Towards 1749 the composer’s health began to decline, his eyesight faded more and more and, having gone blind, he dictated his last, immense (unfortunately unfinished) composition, “Die Kunst der Fuge”. . … The sacred cantatas have great importance, if we analyze for example, as a mature style, “Jesu der du meine seele” composed around 1740, we can see how Bach, using a “Ciaccona” bass and a “Corale” in a double choir, although these are not his originals themes, he managed to unite them with great skill, making them think that they are composed as “subject” and “counter-object”. There's no shortage of mainstream orchestral versions of J.S. The Story of the Brandenburg Concertos by Johann Sebastian Bach, Started around 1719, and finished in 1721. [no tempo indication] (usually performed at Allegro) 2. These highly favored and celebrated concertos written by Johann Sebastian Bach were dedicated to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. As with Richard Egarr’s Brandenburg Concertos (mentioned below), this gives a relaxed, flexible buoyancy to the music, especially in the Third and … Jazz and the Brandenburg Links to Explore, Jazz and the Brandenburg Concertos Interview Excerpts. He was a master, and in the Brandenburgs he intended to show off his uncommon skill as a performer and composer. The first music on the Golden Record is the 2nd Brandenburg Concerto. The six Brandenburg Concertos stand as supreme achievements in the concerto grosso literature of the Baroque. The collection was composed circa 1711–20 and dedicated in 1721 to Christian Ludwig, the margrave (marquess) of Brandenburg and He composed Latin church music, Passions, Oratorios, and … ... As I already have the wonderful Orchestra Mozart Blu-ray of the Brandenburg Concertos, I wanted a different recording on CD. It is arguably the single most important piece of music ever. Required fields are marked *. Bach’s Brandenburg Concerto 6 is the least known and most rarely performed of the six Brandenburg Concertos and not because is not a masterwork, but because of the unusual combination of instruments used in it. He began by studying and copying almost all the works of the most important Italian, French and German musicians. The Brandenburg Concertos represent a popular music genre of the Baroque era—the concerto grosso—in which a group of soloists plays together with a small orchestra. Soloist: Daniela Helm, violino piccolo 1. After being a violinist for the Saxe-Weimar court for a short time, in 1703 he became titular organist of St. Boniface in Arnstadt and, in a short time, he became famous. These “Köthen Period” works have had a significant influence on jazz and jazz musicians including Wynton Marsalis, Oscar Peterson, Christian McBride, Sones de Mexico Chicago (Victor Pichardo), Dave Brubeck, Kenny Barron, Abdullah Ibrahim, Uri Caine, Mark Helias, Fred Hersch, Charlie Parker, Tiempo Libre, Bud Powell, Bobby McFerrin, John Lewis and the Modern Jazz Quartet, Keith Jarrett, Regina Carter,  Ron Carter, Karl Richter; the Punch Brothers, Hubert Laws, Mike Metheny. He also dedicated himself to the composition of Cantatas in which he expressed a vocal virtuosity favoring the profane forms. 00:35 Allegro 2. The culmination of Bach’s compositional ability, with regard to choral music, reached him with four monumental works: the “Mathäus Passion”, the “Johannes Passion”, the “Magnificat” and the “Missa in B minor”. Continuing along with Bach’s musical life, we can see how he approaches increasingly “modern” ways of writing, also adopting a virtuosic style in instrumental technique but also an ever greater compositional complexity. By 1719 Bach was working for the Prince of Köthen when he wrote the Brandenburg Concertos as a sort of job application to the Margrave of Brandenburg. through our common experience of life, death and love. A letter imploring Bach to return was never received – the Prince’s handlers intercepted and destroyed it so the Prince would not be upset. The absolutely personal character that distinguishes Bach‘s music is due to three main factors. And the Voyagers would have died when they were less than 5 years old. 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