14: "O hilf Christe, Gottes Sohn" (BWV 1084)[38] • No. Dietel collection), and by the time most of them were published in the second half of the 18th century that context was (and still is) lost for more than half of the harmonisations. 2 Cantatas (1–224) 3 Motets, Passions, Christmas Oratorio, Wedding Chorales (226–252) 4 Other Chorales in four-parts (253–438) List of the Bach's Chorales settings, with different numberings. 387: BWV 219/5 = TWV 1:1328/5: "Wo Gott der Herr nicht bei uns hält", by Telemann, Chorale harmonisations appearing in Bach's motets: BWV 226/2 • 227/1=/11, /3 (SSATB) and /7 • 229/2, Four-part chorales appearing in the St Matthew Passion: BWV 244/3, /10, /15≈/17, /25, /32, /37, /40, /44, /46, /54 and /62 • 244b/29, Four-part chorales appearing in the St John Passion: BWV 245/3, /5 (=BWV 416), /11, /14, /15, /17, /22, /26, /28, /37 and /40, For his own performances of the Jesus Christus ist um unsrer Missetat willen verwundet Passion Bach composed and/or reworked a few of its chorales: No. Bach chorale correctly, among experts, was similar to ipping a coin for a transition matrix trained with more than 10 chorales. Line: 479 Eisenach 1685 - Leipzig 1750 . As to the chorale melodies with figured bass, current collections include less than one hundred of them whereas those proposed for sale in 1764 numbered 240. - Bach wrote the chorales in the Orgelbüchlein as educational material, to teach how to treat a chorale in polyphonic writing, but as in most of his works, the didactic element is far surpassed by the spiritual content of these miniature masterworks. The two No. Fig.3: Extract from a Bach chorale and its representation as six lists. LuxSitPress, 2017. Chorale harmonisations with a number above 438 are mostly later additions to the BWV catalogue. 170) • 43/11, Chorale harmonisations from spurious or doubtful cantatas (or: cantata versions) in the Richter/Kalmus collection of 389 chorale harmonisations: No. The manuscript's harmonisations extracted only the vocal parts and ignored the instrumental parts and the continuo, even though all of Bach's chorale settings included both instrumental parts and continuo. Of course it is entirely possible that had not Bach harmonized these chorales, the world may not have ever known about them! 471–481 of BWV 2a . Thanks! For example, the melody of "Ach, lieben Christen, seid getrost" also being known as "Wo Gott der Herr nicht bei uns hält" it is an editor's discretion whether BWV 256 is found early on[17] or near the end[18] of an alphabetically sorted collection. Listing Bach's compositions. The elegance of Bach's harmonisations often come from these modulations in the middle of the phrase. The BWV 253–438 range, which, in its original collation, was based on the BGA publication does however contain 186 chorales. The Grove Music Online entry on "chorale," co–written by Robert L. Marshall and Robin Leaver, puts it aptly: Bach Chorales: A Guide. I just need a list of them. Exact dates (e.g. La dernière modification de cette page a été faite le 17 février 2020 à 14:37. Chorale 061 11-12 Use of mode-mixture allows for a smoother transition between ii and V key areas (f to Bb), stopping first at v; involves chords bVI, iiø43, and minor i64 (if … List of chorale harmonisations by Johann Sebastian Bach: | The |list of chorale harmonisations by Johann Sebastian Bach| consists of 189 |chorales| ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. The default arrangement is by BWV number. [21], Most of Bach's known chorale harmonisations are movements in his extant cantatas, motets, Passions and oratorios. These are compositions which have a BWV number ranging from 1 to 249. First, it’s important to clarify that we’re trying to determine the number of extant chorale settings. Finally in some cases, for reasons unknown, whoever extracted the chorale from the larger work, changed the key of the setting. (Oh Dieu, écoute mon soupir et mon gémissement), (Oh Dieu et Seigneur, combien grand et lourd), (Jésus-Christ, notre Sauveur, qui nous...), (Jésus-Christ, notre Sauveur, la mort de la...), (Fait-le avec moi, ô Dieu, selon ta bonté), (Maintenant, vous, tous les enfants de Dieu), (Maintenant, que Dieu nous accorde la Miséricorde), (Ô combien êtes-vous béni maintenant, vous les pieux), (Chantez pour le Seigneur un chant nouveau Chantez), (Je ne devrais pas chanter pour mon Dieu), (Si Dieu n'était pas aujourd'hui avec nous), (Pourquoi t'affliges-tu donc, mon cœur ? IV. The list Fis added since fermatas in Bach chorales indicate the end of each musical phrase. Works for voice Cantatas (1–224). 39, BWV 253–438, Other four-part chorales in early manuscripts, Jesus Christus, unser Heiland, der den Tod überwand, "Welt, ade! Bach. Moreover, by the time Bach died in 1750 it was forgotten that a few of his vocal works (BWV 71, BWV 439–507,...) had indeed been printed in the first half of the 18th century. C. P. E. Bach's selection of 371 chorale harmonisations was republished a few times in the 19th century, for instance by Carl Ferdinand Becker in 1832 (third edition),[20] and by Alfred Dörffel in 1870. The first is the use of the bass line, as opposed to the melody, as the primary input into a chorale-harmonization algorithm. Ich dank' dir, lieber Herre (BWV 347) Chorale003. as a metronome. Bach chorales, from music theorists and theory students interested in studying the Bach chorale style or in using the chorales in the classroom, to musicologists and Bach scholars interested in the most up-to-date research on the chorales, to choral directors and organists interested in performing the chorales, to amateur Bach-lovers alike. The first is the use of the bass line, as opposed to the melody, as the primary input into a chorale-harmonization algorithm. iii. [28], A cross-reference between Lutheran hymns, their Zahn number,[29] and their appearance in compositions by Bach (including, but not limited to, the chorale harmonisations) can be found pp. 26 → "Christ lag in Todesbanden", BWV 278, not in BGA Vol. The hold symbol is displayed as \ ". Bach composed around 30 and reharmonised around 400 melodies, so we have quite a large material to search through. Moreover, by the time Bach died in 1750 it was forgotten that a few of his vocal works (BWV 71, BWV 439–507,...) had indeed been printed in the first half of the 18th century. [1] In the period between the publication of The Art of Fugue in the early 1750s, and the publication of further works from 1900, only one group of Bach's works was published: his four-part chorales. Eisenach 1685 - Leipzig 1750 . • 79/3 and /6 • 80/8 • 81/7 • 83/5 • 84/5 • 85/6 • 86/6 • 87/7 • 88/7 • 89/6 • 90/5 • 91/6 • 92/9 • 93/7 • 94/8 • 95/1 (extract: 282) and /7 • 96/6 • 97/9 • 99/6 • 100/6 • 101/7 • 102/7 • 103/6 • 104/6 • 105/6 • 107/7 • 108/6 • 110/7 • 111/6 • 112/5 • 113/1 and /8 • 114/7 • 115/6 • 116/6 • 117/4=/9 • 119/9 • 120/6 • 120a/8 • 121/6 • 122/6 • 123/6 • 124/6 • 125/6 • 126/6 • 127/5 • 128/5 • 129/5 • 130/6 • 133/6 • 135/6 • 136/6 • 137/5 • 139/6 • 140/7 • 144/3 and /6 • 145/a and /5 • 146/8 • 147/6=/10 • 148/6 • 149/7 • 151/5 153. Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. The manuscript to be used once belonged to C. P. E. Bach, who sold it through Kirnberger to Princess Anna Amalia of Prussia (for twelve louis d'or). 1–954),[27] and, between brackets, the number of the setting in Vol. Consequently, you could learn to make a well working harmonisation af a melody, by adding three notes to the soprano voice, and with a couple … Dietel collection), and by the time most of them were published in the second half of the 18th century that context was (and still is) lost for more than half of the harmonisations. Johann Sebastian Bach is, for many, the single greatest composer ever to have lived. pitches, in 18th-century sources: for instance a Bach cantata autograph gives the four-part chorale in one key, and the same harmonisation is found in one or more of the early chorale compilations in a different key. So how many Bach four–part chorales are there? 150, Terry No. Some harmonisations exist in different keys, i.e. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. by David Smith. Not only are many works the chorales were extracted from no longer extant but there is no way of knowing how much of all the harmonisations that were once compiled the current collections include. Chorale preludes For organ alternative version of BWV 691; Bach's authorship uncertain 692 — Ach Gott und Herr (I) — Chorale preludes For organ spurious; composed by Johann Gottfried Walther: 692a — Ach Gott und Herr (I) — Chorale preludes For organ spurious; composed by Johann Gottfried Walther: 693 — Ach Gott und Herr (II) — Chorale preludes For organ Line: 192 About half of the chorale harmonisations in this collection have their origin in other extant works by Bach. When the date is followed by an abbreviation in brackets (e.g. Bach in the Humdrum file format. Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: Apart from homophonic choral settings, Bach's Lutheran hymn harmonisations also appear as: The compositions by Johann Sebastian Bach that had been printed during his lifetime were nearly exclusively instrumental works. Bach in the Humdrum file format. Es ist das Heil uns kommen her (BWV86/6) So a great deal of credit should go to Bach for these chorales also appears to form the bases for all music theory study! It is designed to make it easier to use one of music21’s most accessible datasets. Bach’s chorales are strictly choral arrangements of well-known hymn tunes adorned with elaborate harmony; he never composed an original chorale. Chorales . More than 200 of Bach's over 400 homophonic chorale harmonisations survived in his larger vocal works. 10 BD Bach composed around 30 and reharmonised around 400 melodies, so we have quite a large material to search through. More complex chorale settings came from Johan Eccard and Michael Praetorius.Eccard’s chorale settings are virtually brief motets, and Praetorius was one of the first systematic arrangers in polyphonic style of tunes from earlier sources (Musae Sioniae, 1610).For these and for later German hymnody, see hymn. Somewhat less than 200 of Bach's chorale harmonisations only survived in early collections containing multiple, usually short, works. Bach Chorale Ach wie nichtig III in minor.mid 0.0 s; 646 bytes. Four-part chorales also appearing as cantata movements composed by Johann Sebastian Bach (verse incipits, and their translations by Pamela Dellal, from the Emmanuel Music website unless otherwise indicated):[35] BWV 1/6: "Wie bin ich doch so herzlich froh" ("How happy I am", v. 7 of "Wie schön leuchtet der Morgenstern") • 2/6: "Das wollst du, Gott, bewahren rein" ("This, God, you would keep pure", v. 6 of Ach Gott, vom Himmel sieh darein") • 3/6: "Erhalt mein Herz im Glauben rein" ("If my heart remains pure in faith", v. 18 of "Ach Gott, wie manches Herzeleid") • 4/8 • 5/7 • 6/6 • 7/7 • 9/7 • 10/7 • 12/7 • 13/6 • 14/5 • 16/6 • 17/7 • 18/5 • 19/7 • 20/7=/11 • 22/5 • 24/6 • 25/6 • 26/6 • 28/6 • 29/8 • 30/6 • 31/9 • 32/6 • 33/6 • 36/4 and /8 • 37/6 • 38/6 • 39/7 • 40/3, /6 and /8 • 41/6 • 42/7 • 44/7 • 45/7 • 46/6 • 47/5 • 48/3 and /7 • 52/6 • 55/5 • 56/5 • 57/8 • 59/3 • 60/5 • 62/6 64. In my opinion the title of all of the books on this subject should be "Chorales Harmonized by Bach." Other editions, such as the Breitkopf compilations of 1892 and 1899, present the chorales themselves in alphabetical order. Bach, Johann Sebastian. The first record of the existence and sale of groups of collected chorale harmonizations and chorale melodies with figured bass extracted from larger works by J.S. All BWV numbers used in the listings below are according to the latest version of the Bach-Werke-Verzeichnis and further updates of these numbers found at the Bach Digital website. On this page, Dr. Hall presents an essay on Bach chorales concluded by a list of some of Bach's lesser difficult chorales (arranged in order of BWV numbers) that are recommended to piano students. Printed collections of Bach's harmonisations usually provide an alphabetical collation of the chorales, that is, ranged alphabetically by text incipit of the hymn. Bach arr. • Bach Chorales are meant to be sung by four part harmony – SATB, originally for Lutheran churches in Germany. Three wedding chorales grouped in an autograph manuscript by Bach: Chorale harmonisations in various collections, 186 four-part chorales in BGA Vol. The Bach Gesellschaft published 185 four-part chorales in the 39th volume of its complete Bach-edition. bach-370-chorales. 370 Four-part Chorales by J.S. BWV 250 to 438 is the range of the separate four-part chorales. Chorale Harmonisations, BWV 1-438 (Bach, Johann Sebastian) This is general page all of the chorales. ich bin dein müde", BWV Anh. III, and "283bis" for the one included in Vol. Wie bist du, Seele How are you, seal? The difference is that BWV 279, (near-)identical to BWV 158/4, was not retained in the BGA set: Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Bach Chorale Listing Contents. Parfois, deux chorals ont le même incipit, seule la tonalité peut changer : le BWV 347 est par exemple en la majeur et le BWV 348 est en si bémol majeur. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. Many references to occurences of chorale melodies in the works of other commposers. 27 → "Christ unser Herr zum Jordan kam", BWV 280, Chapters of the main catalogue indicated by Arabic numerals (1-13), Anh. Valet will ich dir geben I will give a deer to the valet. "Bach's setting is of that particular stanza, depending on its wording" – true, yet the extraction of settings of chorale melodies separate from that context already started in Bach's time (e.g. Chorales are used in some of Bach's earliest cantatas, although he usually incorporates them into just one or two movements. What seems to be a straightforward question is, in reality, rather complicated. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27. Part 4 shows that this 16 Chorales by J.S. by Johann Sebastian Bach.01. Chorale001. 29: "O Traurigkeit, o Herzeleid" (BWV deest)[39], Four-part chorale appearing in the Ascension Oratorio: BWV 11/6, Four-part chorales in Bach's Christmas Oratorio, BWV 248: Part I/5 and /9 • II/3, /8 and /14 • III/5, /10 and /12 • IV/7 • V/4 and /11 • VI/6 and /11. The most complete 18th century publication of chorales by J. S. Bach is Carl Philipp Emanuel Bach's edition in four volumes, published by Breitkopf from 1784 to 1787. • 153/1, /5 and /9 • 154/3 and /8 • 155/5 • 156/6 • 157/5 • 158/4 • 159/5 • 161/6 • 162/6 • 164/6 • 165/6 • 166/6 • 167/5 • 168/6 • 169/7 • 171/6 • 172/6 • 174/5 • 175/7 • 176/6 • 177/5 • 178/7 • 179/6 • 180/7 • 183/5 • 184/5 • 185/6 • 187/7 • 188/6 • 190/7 • 194/6 and /12 • 195/6 • 197/5 and /10 • 197a/7 (≈398), Spurious chorale harmonisations in Bach's autographs: BWV 8/6 • 27/6 (=Anh. André Papillon: Index des mélodies de chorals dans l'ouvre de Bach: Liste … 9b: "So gehst du nun, mein Jesu" (BWV 500a)[37] • No. Delivering music since 1876. Elle ne contient que les chorals harmonisés à quatre voix. https://fr.wikipedia.org/w/index.php?title=Liste_des_chorals_de_Jean-Sébastien_Bach&oldid=167521820, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence, Ach Gott, erhör' mein Seufzen und Wehklagen, Danket dem Herren, denn er ist sehr freundlich, Das walt' mein Gott, Gott Vater Sohn und Heil'ger Geist, Die Nacht ist kommen, drin wir ruhen sollen, Die Sonn' hat sich mit ihrem Glanz gewendet, Heut' ist, o Mensch, ein grosser Trauertag, Jesus Christus, unser Heiland, der von uns, Jesus Christus, unser Heiland, der den Tod. 31: "Herr Gott, dich loben alle wir", St Mark Passion (attributed to Keiser) § Leipzig 1726 (BC D 5b), Jesus Christus ist um unsrer Missetat willen verwundet, List of compositions by Johann Sebastian Bach § BWV Chapter 5, scores:List of works by Johann Sebastian Bach § Four-Part Chorales (250–438), Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections, List of organ compositions by Johann Sebastian Bach#Chorale Preludes, chorale setting "Gelobt seist du, Jesu Christ", chorale setting "Sanctus, Sanctus Dominus Deus". 39 of the BGA edition were given, in the same order, the numbers 253 to 438. Some editions contain an alphabetical index at the end of the compilation, for instance at the end of the final volume of C. P. E. Bach's 18th-century collection. The tests are progressive, as follows: In Chorales 1-4, only the bass part is to be completed; students should concentrate on writing smooth, fluent and strong bass lines. File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php I just need a list of them. Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! The Three Wedding Chorales were assigned the numbers 250 to 252, and the 185 (+1: see below) four-part chorales contained in Vol. ich bin dein müde, Riemenscheider No. A sizeable proportion of his output is sacred in nature, with works ranging from relatively modest motets, to cantatas (more than two hundred in number), to the monumental Passions and Mass in B minor. In this article, a combination of two novel approaches to the harmonization of chorales in the style of J. S. Bach is proposed, implemented, and profiled. The first record of the existence and sale of groups of collected chorale harmonisations and chorale melodies with figured bass extracted from larger works by J.S. • Melodies should be something easy to sing with a recognisable tune. For a cross-reference with Bach Compendium numbers see scores:List of works by Johann Sebastian Bach#Four-Part Chorales (250–438). Bach chorales, from music theorists and theory students interested in studying the Bach chorale style or in using the chorales in the classroom, to musicologists and Bach scholars interested in the most up-to-date research on the chorales, to choral directors and organists interested in performing the chorales, to amateur Bach-lovers alike. ), (Quand je suis dans la détresse et l'angoisse), (Qui croit en Dieu a probablement construit), (Comment êtes-vous, mon âme, même attristée ? The … One thing is for certain: the answer is not 371 or 389. Re. La liste des chorals de Jean-Sébastien Bach ci-dessous suit un classement alphabétique des titres des chorals. Bach, Johann Sebastian. Text incipit of the harmonised hymn. 1 List of the Bach's Chorales settings, with different numberings. 130, 219 and 387 are not included in the table: see ". Almost all of the melodies of these chorales are not by Bach but go back to older sources. 31: "Herr Gott, dich loben alle wir" [scores] from a doubtful version of BWV 130[36] • No. On this page you can select any chorale and manipulate the layout or measure range using the parameter controls given below. The 5th chapter of the 1998 edition of the Bach-Werke-Verzeichnis (BWV2a) contains the chorales BWV 250–438, and some later additions (BWV 500a, 1084, 1089 and 1122–1126).[26]. The most complete 18… Function: view, File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php Inventions and Sinfonias For example, there is no way of knowing how many of the 150 harmonisations first proposed for sale in 1764 also appear in Princess Anna Amalia's manuscript which ultimately forms the basis of the Breitkopf edition. Kommt, Seelen, dieser Tag Come, seals, this day. 18 Chorale Preludes, BWV 651-668 (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from the collection here. The Bach-Werke-Verzeichnis, published in 1950, did not assign a separate BWV number to harmonisations contained in extant larger vocal works such as cantatas and Passions. However, not all of these alphabetical collations result in analogous chorale sequences. Richter/Kalmus Nos. For arrangements, new editions, etc. Chorale Melodies used in Bach's Vocal Works Sorted by Title : This section of the Bach Cantatas Website (BCW) provides a comprehensive list of all the chorale melodies [hereafter referred to simply as ‘CM’s] in Bach’s oeuvre. Settings from Schemellis Gesangbuch are indicated by their BWV number (BWV 439–507), by the number of the hymn in the original publication (Nos. Definitions of List_of_chorale_harmonisations_by_Johann_Sebastian_Bach, synonyms, antonyms, derivatives of List_of_chorale_harmonisations_by_Johann_Sebastian_Bach, analogical dictionary of List_of_chorale_harmonisations_by_Johann_Sebastian_Bach (English) Some mayor differences in this respect result from chorales that are known by different names: in that case it depends on the editor which name is used for the collation. Titles of Bach Chorales, as Translated By My Niece After One Semester of German. A cross-reference between Lutheran hymns, their Zahn number, and their appearance in compositions by Bach (including, but not limited to, the chorale harmonizations) can be found pp. 39 of the BGA edition (1–69). JW Pepper ® is your sheet music store for band, orchestra and choral music, piano sheet music, worship songs, songbooks and more. ), (Comme elle resplendit, l’étoile du matin). for most cantatas) usually indicate the assumed date of first (public) performance. Johann Sebastian Bach on Kunst der Fuge site: List of pages: Harpsichord. ich bin dein müde, Riemenscheider No. Bach’s great contribution to the Lutheran chorale tradition stems not from his own composing of chorale melodies (less than ten of the 400+ four–part chorales feature melodies that are attributed to Bach himself), but to the great skill and care with which he treated this tradition. ® Bach is from 1764, fourteen years after Bach's death. Bach cadence fingerprints 1: 3-2-1 (Worksheet Five) Worksheet Five (Fingerprint 1) helps you understand various cadential progressions for the melodic pattern 3-2-1 before providing some exercises to complete. In Bach’s Chorale Cantatas, both text and music are based on one Lutheran hymn. External links in this column go to chorale pages at Luke Dahn's, Section in which the composition appears in BWV. This nding suggests that the computa-tional methodology presented here is a successful way to create Bach-quality harmonic progressions. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_harry_book.php This is a class for iterating over many Bach Chorales. list of chorale harmonisations by Johann Sebastian Bach ... Media in category "Chorale harmonisations by Johann Sebastian Bach" The following 3 files are in this category, out of 3 total. This collection went through four more editions and countless reprintings until 1897. 150, Terry No. Number of the chorale setting in Richter's 19th-century compilation of chorale harmonisations. The chorale harmonisations BWV 250–438 were probably all extracted from lost larger vocal works. Some of Bach's voice and thoroughbass settings published in Georg Christian Schemelli's 1736 Musicalisches Gesang-Buch are better known in their four-part realisation included in the chorale harmonisation collections. 471–481 of BWV2a.[30]. Christus, der uns selig macht A few chorale harmonisations had been published before Bach adopted them into his larger vocal works, and are therefore listed as spurious in the third annex of the BWV catalogue:[10][11], Several more harmonisations stay close to the version published by Vopelius: for example "Christus, der ist mein Leben", BWV 281, is a variant of the harmonisation found in the Neu Leipziger Gesangbuch, with added embellishments and the harmonic structure altered for one of the tune's four phrases.[16]. Bach produced two intimate, striking church cantatas, BWV 54 a three-movement alto solo work with a two striking arias, and BWV 80a, a substantial four-voice work which includes a Bach chorale trope in the opening bass aria and closing with a plain chorale setting of the same Luther hymn, "A Mighty Fortress is our God," which was transformed into a hybrid chorale Cantata by 1740. • These melodies are broken up into phrases, which are identified by pause marks – this is where you put your cadences. Chorales . Numbers as in C. P. E. Bach's 18th-century publication of his father's chorales. by Nolan Bonvouloir . Auf, auf, mein Herz, und du mein ganzer ... Jesus Christus, unser Heiland, der von uns ... Jesus Christus, unser Heiland, der den Tod ... Was willst du dich, o meine Seele, kränken, Wie bist du, Seele, in mir so gar betrübt. List of chorale harmonisations by Johann Sebastian Bach: | The |list of chorale harmonisations by Johann Sebastian Bach| consists of 189 |chorales| ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. 5.0 out of 5 stars J.S. Bach will sometimes modulate more than once in a chorale. "Bach's setting is of that particular stanza, depending on its wording" – true, yet the extraction of settings of chorale melodies separate from that context already started in Bach's time (e.g. 170, "Ermuntre dich, mein schwacher Geist", p. 70, 18th-century prints of Bach's four-part chorales, List of compositions by Johann Sebastian Bach § BWV. Wir glauben all an einen Gott, Schöpfer ... BWV Anh. puts a list of Bach Chorales into dicts of dicts called. Function: _error_handler, Message: Invalid argument supplied for foreach(), File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php Wie bist du, Seele, in mir so gar betrübt ? Name of the composition: if the composition is known by a German, chorale setting "Ach bleib bei uns, Herr Jesu Christ", chorale setting "Ach Gott, erhör mein Seufzen", chorale setting "Ach lieben Christen, seid getrost", chorale setting "Ach, was soll ich Sünder machen", chorale setting "Allein Gott in der Höh sei Ehr", chorale setting "Allein zu dir, Herr Jesu Christ", chorale setting "Alle Menschen müssen sterben", chorale setting "Alles ist an Gottes Segen", chorale setting "Als Jesus Christus in der Nacht", chorale setting "Als vierzig Tag nach Ostern warn", chorale setting "An Wasserflüssen Babylon", chorale setting "Ein Lämmlein geht und trägt, chorale setting "Aus meines Herzens Grunde", chorale setting "Christ, der du bist der helle Tag", chorale setting "Christe, der du bist Tag und Licht", chorale setting "Christ lag in Todesbanden", chorale setting "Christ unser Herr zum Jordan kam", chorale setting "Christus, der ist mein Leben", chorale setting "Christus, der uns selig macht", chorale setting "Christus ist erstanden, hat überwunden", chorale setting "Da der Herr Christ zu Tische saß", chorale setting "Danket dem Herrn, denn er ist", chorale setting "Dank sei Gott in der Höhe", chorale setting "Das alte Jahr vergangen ist", chorale setting "Das walt Gott Vater und Gott Sohn", chorale setting "Der du bist drei in Einigkeit", chorale setting "Der Tag, der ist so freudenreich", chorale setting "Des Heilgen Geistes reiche Gnad", chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet", chorale setting "Dies sind die heilgen zehn Gebot", chorale setting "Dir, dir, Jehova, will ich singen", chorale setting "Du großer Schmerzensmann", chorale setting "Du, o schönes Weltgebäude", chorale setting "Ein feste Burg ist unser Gott", chorale setting "Eins ist not, ach Herr, dies Eine", chorale setting "Erbarm dich mein, o Herre Gott", chorale setting "Erstanden ist der heilig Christ", chorale setting "Es ist gewisslich an der Zeit", chorale setting "Es spricht der Unweisen Mund wohl", chorale setting "Es stehn vor Gottes Throne", chorale setting "Es wird schier der letzte Tag herkommen", chorale setting "Es woll uns Gott gnädig sein", chorale setting "Vor deinen Thron tret ich hiermit", chorale setting "Für Freuden lasst uns springen", chorale setting "Gib dich zufrieden und sei stille", chorale setting "Gott, der du selber bist das Licht", chorale setting "Gott der Vater wohn uns bei", chorale setting "Gott hat das Evangelium", chorale setting "Gottlob, es geht nunmehr zum Ende", chorale setting "Gott sei gelobet und gebenedeiet", chorale setting "Gott sei uns gnädig und barmherzig", chorale setting "Herr Gott, dich loben alle wir", chorale setting "Herr Gott, dich loben wir", chorale setting "Herr, ich denk an jene Zeit", chorale setting "Herr, ich habe missgehandelt", chorale setting "Herr Jesu Christ, dich zu uns wend", chorale setting "Herr Jesu Christ, du hast bereit'", chorale setting "Herr Jesu Christ, ich schrei zu dir", chorale setting "Herr Jesu Christ, du höchstes Gut", chorale setting "Herr Jesu Christ, meins Lebens Licht", chorale setting "O Jesu, du mein Bräutigam", chorale setting "Herr Jesu Christ, wahr' Mensch und Gott", chorale setting "Herr, nun lass in Friede", chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt", chorale setting "Wer in dem Schutz des Höchsten ist", chorale setting "Herr, wie du willt, so schicks mit mir", chorale setting "Herzlich lieb hab ich dich, o Herr", chorale setting "Heut ist, o Mensch, ein großer Trauertag", chorale setting "Heut triumphieret Gottes Sohn", chorale setting "Hilf, Gott, dass mirs gelinge", chorale setting "Hilf, Herr Jesu, lass gelingen", chorale setting "Ich bin ja, Herr, in deiner Macht", chorale setting "Ich dank dir, Gott, für deine Wohltat", chorale setting "Ich dank dir, lieber Herre", chorale setting "Ich dank dir schon durch deinen Sohn", chorale setting "Ich danke dir, Herr Gott, in deinem Throne", chorale setting "Ich hab mein Sach Gott heimgestellt", chorale setting "Ihr Gestirn, ihr hohlen Lüfte", chorale setting "Jesu, der du meine Seele", chorale setting "Jesu, der du selbsten wohl", chorale setting "Jesu, du mein liebstes Leben", chorale setting "Jesu, Jesu, du bist mein", chorale setting "Jesu, meiner Seelen Wonne", chorale setting "Jesu, meines Herzens Freud", chorale setting "Jesu, nun sei gepreiset", chorale setting "Jesus Christus, unser Heiland, der den Tod überwand", chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt", chorale setting "Jesus, meine Zuversicht", chorale setting "Keinen hat Gott verlassen", chorale setting "Komm, Gott Schöpfer, Heiliger Geist", chorale setting "Kyrie, Gott Vater in Ewigkeit", chorale setting "Lass, o Herr, dein Ohr sich neigen", chorale setting "Liebster Jesu, wir sind hier", chorale setting "Lobet den Herren, denn er ist sehr", chorale setting "Lobt Gott, ihr Christen, allzugleich", chorale setting "Lobt Gott, ihr Christen allzugleich", chorale setting "Machs mit mir, Gott, nach deiner Güt", chorale setting "Mein Augen schließ ich jetzt", chorale setting "Meinen Jesum lass ich nicht, Jesus", chorale setting "Meinen Jesum lass ich nicht, weil", chorale setting "Meine Seele erhebet den Herren", chorale setting "Meines Lebens letzte Zeit", chorale setting "Mit Fried und Freud ich fahr dahin", chorale setting "Mitten wir im Leben sind", chorale setting "Nicht so traurig, nicht so sehr", chorale setting "Nun bitten wir den Heiligen Geist", chorale setting "Nun freut euch, Gottes Kinder all", chorale setting "Nun freut euch, lieben Christen gmein", no repetitions (i.e., each syllable of the hymn text is sung one time), Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. 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